Brian Eno ‘Small Craft on a Milk Sea’
Brian Eno is not a member of Generation X and was not fed the music software or music production technology as we were at birth
Black Taxi 10.29.10 The Parish | Austin, TX
Black Taxi doesn’t care who is watching or what you think of them; they are simply predisposed to deliver dynamic musicality and captivating Vaudevillian stage
The Black Crowes ‘Say Goodnight to the Bad Guys’
Now a 41-year old troubadour, Rich Robinson of The Black Crowes has no hesitation in hanging onto the roots of his musical influence. The guitarist
Keller Williams ‘From the Songbook of a Family Man’
Keller Williams chats about touring with ‘Yo Gabba Gabba Live’, listening to Furthur, and what musical genre he’ll never cover
Iggy Pop & James Williamson ‘Kill City’
What inflates the intrigue behind the reissue of Kill City is the key moment that it marks between the Stooges and Iggy Pop
The Walkmen ‘Lisbon’
The Walkmen have long been one of the most reliable bands of the last decade. Each major release has successfully reaffirmed their ability to ride
Bowling at the Asbury Lanes with Atlantic, Atlantic
‘Atlantic, Atlantic,’ natives of New York City and the Jersey Coast go bowling at the Asbury Lanes. Band members Bradley York and Nick Villapiano talk
The Strokes 10.08.10 Austin City Limits – Austin, TX
For Night One of the 2010 Austin City Limits Music Festival, The Strokes brought their New York City swagger to the sweet Southwest. Zilker Park
The Avett Brothers ‘Tales of Rubin’s Mythology’
Bob Crawford of The Avett Brothers tells tales of recording with super-producer Rick Rubin for the band’s major label debut
Royal Family Ball 10.02.10 Terminal 5 NYC
Featuring Soulive, Lettuce, and Nigel Hall, The Royal Family Ball was an intoxicating concoction of gospel, blues, and jazz littered with wailing guitar verses and
Deerhunter ‘Halcyon Digest’
Halcyon Digest [2010] realizes in every way the potential that Deerhunter has always suggested it could reach
Bright Light Social Hour 09.17.10 Antone’s Austin, Texas
A little bit bluesy, a little bit jammy and, according to their website, “pairing southern rock with hard disco” the Bright Light Social Hour will
